Chang Qiuyue’s journey in Peking Opera started with a spark of wonder. At just seven years old, she marveled at the vibrant crimson silks of the 'Hong Niang' (The Matchmaker) costumes, lovingly nicknaming them "Auntie Red." This innocent moment opened a gateway to a passion that would transform a 200-year-old art into a modern cultural phenomenon. 🎭
Introduced to the stage by her father—an amateur performer—Chang initially joined an opera school to boost her health. What began as therapy soon evolved into an immersive art form, as she tackled rigorous Daoma Dan martial roles and later embraced the graceful, lyrical style unique to the Xun School. Her evolution on stage not only sharpened her skills but also earned her the endearing nickname "Sister Rainbow," thanks to a series of rapid costume changes that dazzled audiences.
Striking a balance between tradition and innovation, Chang reimagines historic silhouettes with modern touches like Morandi’s muted palettes. While she admits a personal draw toward the emotional depth of tragic roles, she also recognizes that cheerful heroines are a big hit with audiences today. Her courageous experiments—which include fresh thematic compositions and reinventing classic operas like "Dan Qing Yin"—broaden the appeal of Peking Opera to a digital age audience.
Guided by the tireless spirit of her mentor, Sun Yumin, Chang often reflects on her artistic journey with a poignant question: "What legacy will I leave?" Her answer is clear—a mission to bridge centuries, nurturing young talent and reviving forgotten masterpieces to captivate a new generation. 🔥
Reference(s):
cgtn.com
